
Zinnia 8x8 Recycled Collage Print by artandphilanthropy

Zinnia Necklace by brightonmoon

Smell the Flowers Ring ... Raspberry by puffluna

Zinnia Flower - Original Ink Drawing Trapezoid Shaped Card by TrapezoidArt















Sputnik Chandelier wall graphic by oneupdesigns
Mid-Century Birds - Limited Edition Series Number 15 by fourcrowsart
White Sputnik Earrings by gavinandlily
Sputnik Thank You Cards - Set of 6 by kootiescloset
Oribtal Space Satellite Classic 50s Type Wood Pendant Ornament Window Dangle by buildersstudio














Step 1: You will need Good Help/Step 2: Make a template
Step 3: Build the Mold
Step 4: Prepare the Mold for Pour
Step 5: Pour the Concrete/Step 6: Cure and Finish
Step 7: Installation and Final Finish

































Here are what the barrels look like before...
After you prime/paint the barrels...
with a little help from the good ole' PVC, hook it up to your drain
build a little platform with a spout for them to sit on so gravity works in your favor...



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Berkeley architect David Stark Wilson designed this 2007 house, which Metropolitan Home magazine featured in a large spread in June, naming it one of the top 100 houses of the year. Photo by David S. Wilson
Berkeley architect Regan Bice designed the house for this property, but his client, a famous actor, didn't build it. The property changed hands repeatedly until Jean-Dou van der Werf bought it and built Bice's design fairly faithfully in 2006. With stucco walls, aluminum fasciae and windows, prominent bolts in the fasciae and an absence of vegetation, the house comes across as harsh, industrial and even heavy. But when you stand directly in front of it, you can see right through to the three-bridge view. This transparency simultaneously makes the house seem fragile, creating an intriguing paradox. Chronicle photo by Eric Luse
Berkeley architect David Stark Wilson designed this 2007 house, which Metropolitan Home magazine featured in a large spread in June, naming it one of the top 100 houses of the year. Photo by David S. Wilson












An LED light was the solution. Cast bone china varies in thickness, so the piercing light of LEDs was the only option for amply illuminating the translucent portions while remaining compact enough to fit into the orbs. The energy saving benefits are significant. The loom of 21 LEDs is powered by a transformer in the ceiling rose, and uses less energy than a single 25W tungsten bulb.
The Item studio is located in England near the birthplace of bone china – a good thing since casting this challenging material requires a great deal of skill. As studio partner Mark Welsh says, the local makers “expect us to be trouble whenever we call.” But they certainly seem to be rising to the challenge. Each Ova has a unique, unearthly glow that speaks of generations of handcrafting and technique.
To order an Ova Luminaire or to request further information, please contact Mark Welsh: sales@itemhome.co.uk. Prices start at 535 GBP. Trade discounts are available.










































































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